Kacamata Jogja
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The satisfaction of performing (because so far I guess JNB are still performance-centered). Interesting noise skill from their experiments and collaboration overseas. Performers from diverse areas / abroad are emerging that result in epic collaboration. New close friends and shared about things in sound and how to build relationships. But obviously, extra performers will participate every year. Specifically in the arts, people appear to know each other and obtain in touch with one another.
By the noise musicians are getting larger, both as publication space and production room. But we are permitted to enter in public space like museum in Kasunanan region. We purchased some tickets for 5 persons .
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- Now, JNB Festival to come to be epicenter of the wake of the experimental picture in Indonesia.
- However, I’ve just been a…”lurker” in those days and had not been really involved.
People which indirectly put their values of noise exploration and trip networking I guess. Sort of behaviour from Yogyakarta’s musicians. Would be fun to hold workshops in the JNB festival or do screenings aswell.
Finally came to know Krisna Widhiatama and Indra Menus. Then shortly after creating noise, Personally i think a feeling of euphoria and peace. Sometimes Alone, Sometimes Along, Depending on Adit. Because since its birth this collective has its own unique concept and character.
Noises / experimental activists who enliven the annual festival. Passionate in, and in JNB that is noise or experimental music. Musicians) and also helpful friendships, make JNB stick out from other music scene.
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I was initially invited by some close friends who wish to play noise in a few public places. Participated in noise bombings tended to inspire curiosity from the onlookers instead of anger. Even larger community of noise artists and enthusiasts. Loud sound of the noise songs we play was lost with the noise sound of his motor. I see more localized festivals there and events as well. But he usually mentioned that as of this days there was basically not any ..experimental or noise music”. I think collaboration is the key to the development and continuation of the sound scene.
Social movement-not merely a matter of artistic practice. Performing, but still ignore the experience of the audience. Avoidable kind of sound ever and place it in the pedestal of stage performance. Shabara’s functions and YesNoWave, and also to JNB as the spine of the noise scene.
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