What makes a lens professional?
Light weight is a generally important feature for a lens in the landscape kit. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and provide professional-level image quality.
Most action cameras, just like the GoPros, also feature built-in wide fish-eye lenses. WHEN I mentioned, by popular definition, wide angle means anything below 35mm. But there’s still plenty of room for further specification. It’s worth knowing what sort of lenses you need and what features to cover attention to. These lenses enable you to change the focal plane to complement the relative distance of the building from the camera. This change from a perpendicular focal plane to a parallel one fixes the issue.
- Most DSLRs still can’t use phase detection with the mirror up while recording video, so that they have to utilize the slower, less accurate, contrast-detection focus method.
- Five-axis image stabilization gives mirrorless cameras the edge over most DSLRs — in the more costly models which have it.
- This model’s aperture is normally higher, reaching f/2.8.
As Robert Capa taught us, “If your images aren’t good enough, you’re not close enough”. This can be a pain with wide angle lenses, as you will need to get in really close. This sort of distortion is especially prevalent in wide angle lenses.
- This is right down to fewer elements needed for the lens to work.
- That means removing the lens and screwing on all of the caps and separating everything.
- This Tamron covers an excellent focal range in a relatively lightweight, low-cost design.
- The front element is crucial to the performance of the complete assembly.
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